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To answer your question, that was the first time I’ve seen people react to something that as far as radio goes, it wasn’t even a hit record. We never play a show without doing that song. And we’ve played four or five hundred shows over the past few years. They don’t have a clue where it went on the chart. But if you’d ask my fans, they’d probably think it went to number one. You were just asking what was the first I kind of saw people reacting: That song went to 38 or something like that. I got a kick out of it, and I knew people that grew up like I did would get a kick out of it as well. That was the only song on that album I didn’t write. And for that type of song, I thought it was as well-written as it could have been. It wasn’t the kind of song that was gonna change the world, you know? But to me it was fun. Well, take “Back That Thing” up, for instance. What were some of the first signs you saw that people were responding to songs like that? Whatever.’ So that’s kind of the path we’ve taken. I’d rather 50 percent of the people hate me for hunting and fishing and all that stuff and 40 percent of the people love me, than have 90 percent of the fans out there go, ‘Yeah, that’s okay. I’ve always been of the opinion that I’d rather be polarizing. Like I said, it’s been a big part of our success. I’ve always tried to be open and honest about who I am, from something as general as I play traditional country music to something as specific as I like to hunt and fish. Whatever it is, you have to be that as an individual and as an artist, because people see through the crap. If you’re pop-country, if you’re rock-country, if you’re traditional country. I think it’s important for people to know that you’re this or you’re that, regardless of what it is. So I wondered why that was important to you and why you gravitate toward those kinds of songs. There’s been a pattern with the kinds of songs you’re written and recorded, and even some you’ve released as singles, starting with “Back That Thing Up” and “Small Town USA” and on to a lot of the songs on Outlaws Like Me, from “Redneck Side” to “Bait a Hook.” There’s a sense that you’re often talking about who you are or the kind of people you identify with. I think that’s been a big factor in us having the success that we’ve had. So I’ve tried to make it a point to do that with my music. But before they spend money on tickets to concerts and albums and all that stuff, I think people want to know who you are as a person and invest in you as an individual.
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And we’ve always kind of had the mindset of people obviously want to know what you sound like on the radio and look like on TV and all that good stuff. We’ve been very blessed, I’m telling you. You seem to have put a lot into establishing a sense of your personality as a songwriter and performer right out of the gate, and been successful with it, too. Through two albums and several charting singles, he hasn’t so much aimed to write and record likeable songs as to get his audience feeling a gut-level identification with where he’s coming from. That’s very much not how it is with Justin Moore, 28 year-old self-identified outlaw songwriter and hard country singer from an itty bitty Arkansas town. Chances are, the music made by such a performer leaves a similarly blank impression. It’s possible to spend half an hour on the phone with a current hit-maker, and end the conversation feeling like he or she hasn’t said anything that would indicate there’s a human being on the other end of the line with a brain, a personality and a perspective.